Reviews

Edward Arron is not only one of New York's most exciting young cellists but also an inventive impresario.

- The New Yorker, October 24, 2005

The young, gifted and accomplished players all seem on the verge of significant careers, as exemplified by the superb cellist Edward Arron.

- The New York Times, January 8, 2005

Joined by the superb cellist Edward Arron, the Shanghai [Quartet] gave a hard-driving, intense reading of Chen Yi's Sound of the Five.

- The Washington Post, April 28, 2004

There was plenty to please - the unaffected eloquence of the Adagio of Bach's D Major Sonata, for example, or the way he carved a compelling narrative out of the first movement of Ligeti's Solo Sonata.

- The Strad, August, 2004

...the well-spoken and affable cellist Edward Arron...

- The New York Times, February 19, 2005

Arron displayed a satiny tone and a light, elegant touch in the Haydn, whose bearish technical demands belie its classic gentility. He sang out beautifully in the Adagio, and his artistic sensibility was uncompromising throughout.

- The Cincinnati Post, January 24, 2000

A thoughtful artist, he projected an extraordinary tone, and his big-hearted phrasing in the slow movement reminded me of Peter Wiley, one of his teachers. His musicality and beautiful tone were memorable.

- The Cincinnati Enquirer, January 24, 2000

Arron, with a nice sense of sentimental phrasing and the ability to create the mellow brooding tone that conveys the dramatic force of the music, made the piece a show-stopper.

- The Charleston Post and Courier, January 6, 2001

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